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The sacrifices that one performs are stated to journey directly to heaven, and are stored to await the sacrificer on his arrival. One hymn describes Svarga to be a realm that contains water-lilies and lotuses, lakes of butter with banks of honey, along with streams flowing with a number of foods such as wine, milk, curds, and water.
(Akasha is a Sanskrit word meaning "sky", "space" or "aether") In the religion of theosophy and the philosophical school called anthroposophy, the Akashic records are a compendium of all universal events, thoughts, words, emotions and intent ever to have occurred in the past, present, or future in terms of all entities and life forms, not just ...
Kamadhenu-Surabhi's residence varies depending on different scriptures. The Anushasana Parva of the Mahabharata tells how she was given the ownership of Goloka, the cow-heaven located above the three worlds (heaven, earth and netherworld): the daughter of Daksha, Surabhi went to Mount Kailash and worshipped Brahma for 10,000 years. The pleased ...
[3] [5] He circumambulates the dry wood pyre with the body, says a eulogy or recites a hymn, and places sesame seeds or rice called pind on the deceased's chest, hand and legs. He sprinkles the body and the pyre with ghee (clarified butter), then draws three lines signifying Yama (deity of the dead), Kala (time, deity of cremation) and the dead ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 21 January 2025. Supernatural place This article is about the divine abode in various religious traditions. For other uses, see Heaven (disambiguation). This article may contain an excessive amount of intricate detail that may interest only a particular audience. Please help by spinning off or relocating ...
from charpoy चारपाई,چارپائی Teen payi (तीन पाय) in Hindi-Urdu, meaning "three legged" or "coffee table". [26] Thug from Thagi ठग,ٹھگ Thag in Hindi-Urdu, meaning "thief or con man". [27] Tickety-boo possibly from Hindi ठीक है, बाबू (ṭhīk hai, bābū), meaning "it's all right, sir". [28]
Hence, inherent in the 'loka' concept in the earliest literature was a double aspect; that is, coexistent with spatiality was a religious or soteriological meaning, which could exist independent of a spatial notion, an 'immaterial' significance.
Mentioned only three times in the Quran, and just once specifically as the barrier between the corporeal and ethereal, Barzakh is portrayed as a place in which, after death, the spirit is separated from the body – freed to contemplate the wrongdoing of its former life. Despite the gain of recognizance, it cannot utilize action.