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In music theory, a major scale and a minor scale that have the same starting note are called parallel keys and are said to be in a parallel relationship. [1] [2] For example, G major and G minor have the same tonic (G) but have different modes, so G minor is the parallel minor of G major.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
Scott Joplin's "The Entertainer" is written in C major. Many musicians have pointed out that every musical key conjures up specific feelings. [5] This idea is further explored in a radio program called The Signature Series. American popular songwriter Bob Dylan claimed the key of C major to "be the key of strength, but also the key of regret". [6]
C-flat major is the home key of the harp, with all its pedals in the top position, and it is considered the most resonant key for the instrument.Thus, in Richard Strauss's Ein Heldenleben, the first cue for the harps is written in C-flat major even though the rest of the orchestra, having previously played in E-flat major, retains a 3-flat key signature and is now playing in B major, marked ...
Maurice Ravel selected C-sharp major as the tonic key of "Ondine" from his piano suite Gaspard de la nuit. Erich Wolfgang Korngold composed his Piano Concerto for the Left Hand , Op. 17, in C-sharp. The Allegro de concierto by Spanish composer Enrique Granados is written in C-sharp major.
For example, Am is the tonic parallel of C, thus, Em is the counter parallel of C. The usual parallel chord in a major key is a minor third below the root and the counter parallel is a major third above.
The second movement is in the key of E major, in this context a key relatively remote from the concerto's opening key of C minor (another example being the much later Brahms's first symphony). If the movement adhered to traditional form, its key would be E ♭ major (the relative key ), A ♭ major (the submediant major or subdominant parallel ...
piano 1847 [aj] Major keys ascending chromatically from C alternate with minor keys ascending chromatically from f. There is a final 25th Prayer in C major. [57] [58] Peregrin Feigerl (1803–1877) [59] 24 Etudes or Caprices 2 violins 1847 C5 [n] [60] Charles-Valentin Alkan: 12 Études in all the major keys, Op. 35 piano 1848 [ak]
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