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A Lume Spento consists of 45 poems. [9]A Lume Spento is replete with allusions to works which had influenced Pound, including Provençal and late Victorian literatures. Pound adopts Robert Browning's technique of dramatic monologues, and as such he "appears to speak in the voices of historical or legendary figures". [5]
Strong stresses and spondees, emphasized by consistent alliteration and slant rhymes, evince the same action and vitality in language that the speaker of the poem perceives in the vegetation of the cellar. Roethke leverages the free verse form to achieve an extreme "manipulation of vowel and consonant" sounds.
[3] The location is a place that Eliot knew, and the poem links the image of Cape Ann to Eliot's boyhood sailing at Gloucester Harbor. The Dry Salvages also invokes images of the Mississippi River and Eliot's childhood in St Louis. Originally, these images and the other personal references were intended to be discussed in an autobiographical ...
As all the best poetry does, Life on Mars first sends us out into the magnificent chill of the imagination and then returns us to ourselves, both changed and consoled." [ 3 ] Jollimore praised the poem "My God, It’s Full of Stars" as "particularly strong, making use of images from science and science fiction to articulate human desire and grief."
Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...
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"To This Day" is a 2011 spoken word poem written by Shane Koyczan. [1] [2] In the poem, Koyczan talks about bullying he and others received during their lives and its deep, long-term impact. [3] Koyczan first came to international notice when he read his poetry at the 2010 Vancouver Olympics' Opening Ceremony. [4]
The poem describes a local blacksmith and his daily life. The blacksmith serves as a role model who balances his job with the role he plays with his family and community. Years after its publication, a tree mentioned in the poem was cut down and part of it was made into an armchair which was then presented to Longfellow by local schoolchildren.