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The Gulf Stream is an 1899 oil painting by the American artist Winslow Homer. [1] It shows a man in a small dismasted rudderless fishing boat struggling against the storm-tossed waves and perils of the sea, presumably near the Gulf Stream, and was the artist's statement on a theme that had interested him for more than a decade.
A contemporary critic described the painting: "It is painted in [Homer's] customary coarse and negligé style, but suggests with unmistakable force the life and motion of a breezy summer day off the coast. The fishing boat, bending to the wind, seems actually to cleave the waves. There is no truer or heartier work in the exhibition."
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]
Snow Storm: Steam-Boat off a Harbour's Mouth; Sommarnöje; The Stages of Life; Steamboats in the Port of Rouen; Storm at Sea; The Storm at Sea; Storm Off a Sea Coast; The Storm on the Sea of Galilee; Stormy Sea (Nolde) Stranded Brig; The Studio Boat (Le Bateau-atelier) The Subsiding of the Waters of the Deluge; Sudden Shower over Shin-ÅŒhashi ...
The art historian Adelyn Breeskin notes that Impressionism, Japanese printmaking, and Correggio’s Madonna and Child all shaped the style of The Boating Party. [1] The vibrancy of the woman and child, as well as the boat and sea, are indicative of this Impressionist emphasis on bright colors based on plein air observation.
Hansen became extremely active in large Carmel-by-the-Sea art colony. He was not a founder of the Carmel Art Association in 1927, but eventually joined that organization and served as president and on the board of directors. He was the co-founder of the Carmel Art Institute in 1938. [4]
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