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A domino mask is a small and (often) rounded mask covering only the area around the eyes and the space between them. The mask has seen special prevalence since the 18th century, when it became traditional wear in particular local manifestations of Carnival, particularly with Venetian Carnival, as part of a domino costume, which included the mask and a black cloak.
Masquerade masks had many uses including hiding one's identity, and using different colour to express one's freedom of speech and voice one's emotions and opinions without judgement. [1] There were two types of base masquerade masks; black masks and white masks. [7] Designs and patterns were created over the base that was chosen.
When this masquerade first came about, the costume was composed of rags and the masqueraders would hold spears as props in order to create the image of an "uncivilized Africa" [2] However, a Carnival bandleader, George Bailey, created decorative costumes that portrayed a much brighter depiction of African beauty.
Igbo masquerade dancers are an all-male fraternal organization. [o] Egungun regalia also influenced the ceremonies and suits of Black Mardi Gras Indians. The Yoruba wear Egungun masks to invoke and honor ancestral spirits. The masks signify the souls of deceased relatives who return to earth to interact with their living descendants.
Masks attend to honor the deceased and to verify that the spirit of the deceased merits admission into the world of ancestors. Without a proper funeral the spirit remains near the home and causes trouble for his/her descendants. Masks are often carved of the wood of Ceiba pentandra, the faux kapokier. They are carved in three major styles that ...
The features of the mask illustrate the group's ideal of feminine beauty. The elegant hairstyles also symbolize the importance of social cooperation, since a woman needs the help of her friends to dress her hair. [3] The Mende honor outstanding carvers of sowei masks, which are typically men, with the name Sowo Gande. According to Philips, the ...
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