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A false protagonist is presented at the start of the fictional work as the main character, but then is eradicated, often by killing them (usually for shock value or as a plot twist) or changed in terms of their role in the story (i.e. making them a lesser character, a character who leaves the story, or revealing them to actually be the antagonist).
This list is for characters in fictional works who exemplify the qualities of an antihero—a protagonist or supporting character whose characteristics include the following: imperfections that separate them from typically heroic characters (such as selfishness, cynicism, ignorance, and bigotry); [1]
In this sense, each narrative thread is the narrative portion of a work that pertains to the world view of the participating characters cognizant of their piece of the whole, and they may be the villains, the protagonists, a supporting character, or a relatively disinterested official utilized by the author, each thread of which is woven ...
The protagonist is the character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist. The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a ...
Don Quixote and his sidekick Sancho Panza, as illustrated by Gustave Doré: the characters' contrasting qualities [1] are reflected here even in their physical appearances. In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist.
The key thesis of the book: "However many characters may appear in a story, its real concern is with just one: its hero. It is the one whose fate we identify with, as we see them gradually developing towards that state of self-realization which marks the end of the story.
The lives of the characters in J. R. R. Tolkien's world of Middle-earth appear variously to be driven by luck or by fate.This is arranged in such a way that the characters' free will is never compromised; they must rely on their own courage, just like Old English heroes like Beowulf and figures from Norse mythology.
The general noun phrase "title character" can be replaced with a descriptive noun or phrase which is then further described using the adjective "titular". For example, the title character of Dracula can be referred to as the book's "titular vampire", [23] the title character of Hamlet is the "titular prince of Denmark", [24] and the title character of The Wonderful Wizard of Oz is the "titular ...