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Philosophische Studien (Philosophical Studies) was the first journal of experimental psychology, founded by Wilhelm Wundt in 1881. [1] The first volume was published in 1883; the last, the 18th, in 1903. [2] Wundt then founded a similar volume entitled Psychologische Studien, with volumes from 1905 to 1917. [2]
The list of works at the Max Planck Institute for the History of Science includes a total of 589 German and foreign-language editions for the period from 1853 to 1950 MPI für Wissenschaftsgeschichte: Werkverzeichnis Wilhelm Wundt.The American psychologist Edwin Boring counted 494 publications by Wundt (excluding pure reprints but with revised ...
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The "heterogony of ends" is a famous expression formulated in 1886 by German psychologist Wilhelm Wundt, to denote the phenomenon of how goal-directed activities often cause experiences that modify the original motivational pattern.
Völkerpsychologie is a method of psychology that was founded in the nineteenth century by the famous psychologist, [1] Wilhelm Wundt. However, the term was first coined by post-Hegelian social philosophers Heymann Steinthal and Moritz Lazarus. [2] Wundt is widely known for his work with experimental psychology.
It has often been claimed that Wilhelm Wundt, the father of experimental psychology, was the first to adopt introspection to experimental psychology [1] though the methodological idea had been presented long before, as by 18th century German philosopher-psychologists such as Alexander Gottlieb Baumgarten or Johann Nicolaus Tetens. [7]
The term originates with René Descartes in the form of the word apercevoir in his book Traité des passions. Leibniz introduced the concept of apperception into the more technical philosophical tradition, in his work Principes de la nature fondés en raison et de la grâce; although he used the word practically in the sense of the modern attention, by which an object is apprehended as "not ...
Wundt illusion. The Wundt illusion is an optical illusion that was first described by the German psychologist Wilhelm Wundt in the 19th century. [1] The two red vertical lines are both straight, but they may look as if they are bowed inwards to some observers. The distortion is induced by the crooked lines on the background, as in the Orbison ...