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Bofuri: I Don't Want to Get Hurt, so I'll Max Out My Defense [a] (Japanese: 痛いのは嫌なので防御力に極振りしたいと思います。, Hepburn: Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu, "I Don't Want to Get Hurt, so I'd Like to Maximize My Defensive Power") is a Japanese light novel series written by Yuumikan and illustrated by Koin.
Philadelphia's defense has stepped up coming out of their Week 5 bye week, allowing less than 20 points in all four games. ... The league's highest scoring offense is putting up 32.3 points per ...
Rigas's defense asserted that he expected the Adelphia board, lawyers, and external accountants to provide him warning of any possible abuse. In his closing statements, Rigas's lawyer asked "Does [John Rigas] have a right to believe that things would be done properly, that adequate and appropriate disclosures were made, that the lawyers and the ...
Covering is the last line of defense to avoid an incoming strike and consists of putting arms and forearms up and in front of the area on the body that is being blocked. [1] The technique of covering is widely used among martial arts and has a multitude of variations.
Instead, the Commanders are slicing defenses up on the ground with Robinson (now back from injury) and a rejuvenated Austin Ekeler, while also sprinkling in some play-action shot plays (sometimes ...
How I Hate to Get Up in the Morning" in the 1942 stage play This Is The Army, which ran for 113 performances on Broadway and was adapted as a Warner Brothers musical the following year. [ 3 ] [ 17 ] [ 18 ] [ 12 ] [ 13 ] [ 20 ] It was declared the "modern version of Yip, Yip, Yaphank, " and contained "all-new music" except for two or three songs ...
After all the hand-wringing and consternation, the first 12-team playoff is set. If three simple changes were made, there would be a lot less fretting — and it would put the sport (and the ...
This song was unintentionally the inspiration behind Dan Almagor’s song Chaimke Sheli (Hebrew: חַיִּימְקֶה שֶׁלִּי ‘My Chaimke’). Almagor has explained that in 1961 he attended a lecture by Simon Halkin at the Hebrew University of Jerusalem, when Halkin offhandedly mentioned a song with this premise.