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The Top 500 Heavy Metal Songs of All Time. ECW Press. ISBN 978-1-55022-530-3. Popoff, Martin (2014). The Big Book of Hair Metal: The Illustrated Oral History of Heavy Metal's Debauched Decade. Voyageur Press. ISBN 978-0-76034-546-7. Powell, Mark Allan (2002). Encyclopedia of Contemporary Christian Music (First printing ed.). Hendrickson Publisher.
The Big Book of Hair Metal: The Illustrated Oral History of Heavy Metal's Debauched Decade. Voyageur Press. ISBN 978-0-7603-4546-7. Klosterman, Chuck (2007). Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota. Simon and Schuster. ISBN 978-1-4165-8952-5
Glam metal (also known as hair metal or pop metal) is a subgenre of heavy metal that features pop-influenced hooks and guitar riffs, upbeat rock anthems, and slow power ballads.
Big sounds, big bands, big clothes, and — perhaps biggest of all — big hair! ... The 22 best Hanukkah gifts of 2024. See all deals. In Other News. Finance.
During the 1980s, Stryper represented the popular glam metal style of the time, [11] characterized by highly visual performances, twin guitar solos, Michael Sweet's high-pitched, multi-octave screams, and big hair. A characteristic element of the band was that all their outfits, sets, and instruments were painted in yellow and black stripes.
Nelson is an American rock duo consisting of brothers Matthew and Gunnar Nelson. They are the twin sons of Ricky Nelson and Kristin Nelson.The duo achieved success during the early 1990s with their debut album After the Rain, that included "(Can't Live Without Your) Love and Affection".
Although it was not a success for him, contemporary covers by J. Frank Wilson and the Cavaliers in 1964, Wednesday in 1974, and a much later take by Pearl Jam became hits. It was the best-known hit of the Venezuelan musical group Los 007 , formed in Caracas in 1965, that covered the song in Spanish, and spent 20 consecutive weeks in first place ...
While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.