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Sabine can beg to differ, but what makes DuVernay’s movie so essential is the way it approaches America’s most difficult issue. “Origin” draws comparisons, introduces examples and enables ...
For these two magazines, Arlen wrote essays, book reviews, personal essays, short stories, and even one short play. His last submissions to The New Age, a series of semi-autobiographical personal essays entitled "The London Papers", were assembled in 1920 and published with slight revisions as The London Venture. From this time onward he began ...
A book review of a new book by Joseph McElroy, one of the "hard-to-read 13" mentioned by Franzen, began by citing "Mr. Difficult" as if it were an essential credential. [7] The review lavishly praises McElroy for maintaining his difficulty without a hint of compromise. Online critics [8] were particularly vocal following the essay's publication ...
This is a list of short stories and novellas that have been made into feature films. The title of the work is followed by the work's author, the title of the film, and the year of the film. If a film has an alternate title based on geographical distribution, the title listed will be that of the widest distribution area.
Bleecker Street’s “Mass” takes place almost entirely in one room, with four characters. When writer-director Fran Kranz was hunting for funding, he resisted suggestions to “open up” the ...
From Florence Pugh to Tom Holland, and Letitia Wright to Jessie Buckley, the names included on the yearly Bafta Breakthrough list are often a spot-on indicator of future industry heavyweights.
This is particularly important when adapting to a dramatic work, e.g. film, stage play, teleplay, as dramatic writing is some of the most difficult. To get an original story to function well on all the necessary dimensions—concept, character, story, dialogue, and action—is an extremely rare event performed by a rare talent.
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