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The settings of the Requiem Mass by Marc-Antoine Charpentier (H.234, H.263, H.269, H.427), Luigi Cherubini, Antonin Dvořák, Gabriel Fauré, Maurice Duruflé, John Rutter, Karl Jenkins, Kim André Arnesen and Fredrik Sixten include a "Pie Jesu" as an independent movement. Decidedly, the best known is the "Pie Jesu" from Fauré's Requiem.
The best-known part of Lloyd Webber's Requiem, the "Pie Jesu" segment, combines the traditional Pie Jesu text with that of the Agnus Dei from later in the standard Requiem Mass. It was originally performed by Sarah Brightman , who premiered the selection in 1985 in a duet with boy soprano Paul Miles-Kingston ; a music video of their duet was ...
The organ by Aristide Cavaillé-Coll in La Madeleine, Paris, where the first version of the Requiem was first performed. In 1887–88, Fauré composed the first version of the work, which he called "un petit Requiem " [4] with five movements (Introit and Kyrie, Sanctus, Pie Jesu, Agnus Dei and In Paradisum), but did not include his Libera me.
Some text extracts have been set to music independently, such as the Pie Jesu in the settings of Fauré (1880s), Dvořák (1890s), Duruflé (1940s) and Rutter (later). Pie Jesu are late words in the Dies irae and they are followed by the final words of the Agnus Dei:
Rutter completed his Requiem in 1985. It bears the dedication "in memoriam L. F. R.", [1] John Rutter's father, who had died the previous year. [2]He conducted the first performance on 13 October 1985 at Lovers' Lane United Methodist Church, Dallas, Texas, where the director of Music Allen Pote prepared the Sanctuary Choir and orchestra.
"Pie Jesu" (Version 1) Sissel Kyrkjebø Oslo Gospel Choir: Andrew Lloyd Webber: Live: 1990 [83] "Pie Jesu" (Version 2) Sissel Kyrkjebø Andrew Lloyd Webber: My Heart: 2004 [15] "Pokarekare Ana" # Sissel Kyrkjebø Oslo Gospel Choir: trad. Stig Nilsson: Soria Moria: 1989 [13] "Prince Igor" † Sissel Kyrkjebø, Warren G: Warren G Achim Völker ...
In order to figure out the best egg wash to yield a shiny, golden brown crust, I tested 14 different variations of washes and also included a control test with no wash to compare.
Duruflé scored the work for a solo voice in the central movement, Pie Jesu, and a mixed choir, accompanied by organ or orchestra. The composer dedicated the Requiem to the memory of his father. [4] The Requiem was published in 1948 by the French publishing house Durand, first issued in a version for SATB choir and organ. [5]