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The Spoliarium is a painting by Filipino painter Juan Luna. Luna, working on canvas , spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid , where it garnered the first gold medal (out of three). [ 1 ]
Spoliarium of Juan Luna displayed at Philippine National Museum of Fine Arts. In 1883, Luna commenced work on the painting commissioned by the Ayuntamiento. By May 1884, he dispatched the expansive canvas portraying the Spoliarium to Madrid for the annual Exposición Nacional de Bellas Artes. Remarkably, he became the inaugural recipient of one ...
Hymen, oh Hyménée! is a history painting done in the historical realism style, which is closely associated with Luna's earlier notable works such as Spoliarium (1884) and The Death of Cleopatra (1881). This artwork portrays a scene from a Roman wedding ritual, specifically the moment when the bride is entering the groom's chamber.
The song got its name from the Juan Luna painting of the same name. It features six guitar parts and a mix of live drums and drum loops inspired by trip hop, according to drummer Raimund Marasigan. [1] "Spoliarium" became the subject of an urban legend referencing Filipino-American actress Pepsi Paloma's rape case in 1982.
The Legislative Building during the 1930s. The building was originally designed by the Bureau of Public Works (precursor of the Department of Public Works and Highways) Consulting Architect Ralph Harrington Doane [4] and Antonio Toledo in 1918, and was intended to be the future home of the National Library of the Philippines, according to the Plan of Manila of Daniel H. Burnham. [5]
It was painted by Luna when he was a student of the school of painting in the Real Academia de Bellas Artes de San Fernando (Royal Academy of Fine Arts of San Fernando) in Madrid, Spain in 1877. Alejo Valera, a Spanish painting teacher, took Luna as an apprentice and brought him to Rome where Luna created Las Damas Romanas in 1882. [ 5 ]
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
An oil on canvas painting measuring 1.15 m × 1.57 m (45 in × 62 in), Las Virgenes Cristianas Expuestas al Populacho is a "landmark painting" depicting the persecution of Christians in Ancient Rome. [3]