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The second principle of love, to Fromm, is responsibility. He contrasts his definition of responsibility with that of duty, stating that responsibility is the voluntary desire to respond to the needs of one's partner. Without his third principle of love, respect, Fromm warns that responsibility can devolve into exploitation.
According to Fromm, the awareness of a disunited human existence is a source of guilt and shame, and the solution to this existential dichotomy is found in the development of one's uniquely human powers of love and reason. However, Fromm distinguished his concept of love from unreflective popular notions as well as Freudian paradoxical love ...
Abstractly discussed, love usually refers to a feeling one person experiences for another person. Love often involves caring for, or identifying with, a person or thing (cf. vulnerability and care theory of love), including oneself (cf. narcissism). In addition to cross-cultural differences in understanding love, ideas about love have also ...
Fromm along with Freud believed that the most important aspect in one's character was not a single character trait, but rather, the total character organization from where many single character traits follow. [3] These character traits can be understood as a syndrome resulting from a particular character orientation. [3]
Fromm proposed a re-evaluation of self-love in more positive sense, arguing that in order to be able to truly love another person, a person first needs to love oneself in the way of respecting oneself and knowing oneself (e.g. being realistic and honest about one's strengths and weaknesses). [14] [15]
Erich Fromm (1900–1980), German-American Jewish psychologist and humanistic philosopher; Frieda Fromm-Reichmann (1889–1957), psychoanalyst and doctor; wife of Erich; Friedrich Fromm (1888–1945), German army officer; Jake Fromm (born 1998), American football player; Julius Fromm (1883–1945), inventor of the seamless latex condom
The story of Ethan Frome had initially begun as a French-language composition that Wharton had to write while studying the language in Paris, [2] but several years later she took the story up again and transformed it into the novel it now is, basing her sense of New England culture and place on her ten years of living at The Mount, her home in Lenox, Massachusetts.
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