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Fully feathered basket curated at Indian Grinding Rock State Park in Volcano, California. A vigorous market for genuine, traditional baskets opened in the 1880s and lasted until the 1930s, a market that was primarily for the finer types of baskets mostly made by women. [12]
The Bensons may have been the first California Indians who supported themselves solely by crafting and selling their baskets to collectors and museums. [4] Beginning with the Spanish mission period on California, the Pomo, like other tribes, suffered drastic declines in population, severe cultural destruction, and the loss of homeland.
Her baskets were featured in many newspapers and she was viewed as a prodigy. [1] She began giving demonstrations in the State Indian Museum in Sacramento, where she refused to sell the baskets she made and instead gave them as gifts. [1] In the late 1970s she began teaching basket-weaving classes for both native and non-native students. [2]
A burden basket was also made by the Achomawi, as was a mesh beater which would be used to harvest seeds into the burden baskets, made of willow or a mix of willow and pine root. [ 17 ] Most baskets are covered in a light white overlay of xerophyllum tenax , though it is believed that those covered in xerophyllum tenax are for trade and sale ...
Pomo baskets made by Pomo Indian women of Northern California are recognized worldwide for their exquisite appearance, range of technique, fineness of weave, and diversity of form and use. While women mostly made baskets for cooking, storing food, and religious ceremonies, Pomo men also made baskets for fishing weirs, bird traps, and baby baskets.
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Mary Knight Benson (1877–1930) was a Pomo woman from California who excelled in basket making. Her work is highly collectible and renowned for fine craftsmanship. She and her husband, William Ralganal Benson (Eastern Pomo, 1862–1937), partnered in basket weaving, and their work is in public museum collections.
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