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Woman wearing a one-piece bliaut and cloak or mantle, c. 1200, west door of Angers Cathedral.. The bliaut or bliaud is an overgarment that was worn by both sexes from the eleventh to the thirteenth century in Western Europe, featuring voluminous skirts and horizontal puckering or pleating across a snugly fitted under bust abdomen.
A close-bodied gown, English nightgown, or robe à l'anglaise was a women's fashion of the 18th century. Like the earlier mantua, from which it evolved, [1] the back of the gown featured pleats from the shoulder, stitched down to mould the gown closely to the body until the fullness was released into the skirt.
"This one has no tunic but is finely pleated in the Fortuny manner, and falls in long lines closely following the figure to the floor." The Delphos gown is a finely pleated silk dress first created in about 1907 by French designer Henriette Negrin and her husband, Mariano Fortuny y Madrazo (1871–1949). They produced the gowns until about 1950.
The three gathered back sections of the skirt and fitted bodice of the 1770s incarnation of the mantua, known as the polonaise gown or Robe à la Polonaise, were distinct to this style, with the puffed skirt achieved through cording or ribbons. [9] The Robe à l'Anglaise or English gown was also a popular style in Europe. The English-style gown ...
Her companion (probably her daughter Juana or Joanna) wears undersleeves fastened up the back over full chemise sleeves. Her red gown is open from the waist down in back and has very long hanging sleeves, one of which is looped up over her right shoulder. Her hair is braided and wrapped with a knot or tassel at the end. Spain, 1490–1495.
Semi-sheer dresses of c. 1877 show back fullness beginning at hip-level rather than the waist as in 1874–5. The tight, princess-line dress on the right fits smoothly to the body from the shoulders to the lower hips. Gown of 1878 has a long train and a squared neckline. It is worn with opera-length gloves.
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