Search results
Results from the WOW.Com Content Network
"The Love Song of J. Alfred Prufrock" is the first professionally published poem by the American-born British poet T. S. Eliot (1888–1965). The poem relates the varying thoughts of its title character in a stream of consciousness .
"The Love Song of J. Alfred Prufrock" was set to music by Tony Garone and Scott Harris. The video was made by Tony Garone himself, with illustrations by Julian Peters. [10] [11] In the album I am Nothing, Versus Shade Collapse has produced a musical adaptation of the poem called "An Adaptation of The Love Song of J. Alfred Prufrock." [citation ...
The title and lyrics of the song reference the 1915 T. S. Eliot poem "The Love Song of J. Alfred Prufrock". [2] Lead vocalist Brad Roberts called it "a song about being afraid of getting old, which is a reflection of my very neurotic character". [3]
Eliot first attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" from 1914 to 1915, which, at the time of its publication, was considered outlandish. [5] It was followed by The Waste Land (1922), " The Hollow Men " (1925), " Ash Wednesday " (1930), and Four Quartets (1943). [ 6 ]
Audiobook of "The Love Song of J. Alfred Prufrock" by T. S. Eliot. In the following passage from "The Love Song of J. Alfred Prufrock", T. S. Eliot provides an example of an extended metaphor: The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes
The vocals of the Coasters' lead singer Billy Guy are raw and insistent. Driving the song is a pounding piano rhythm of two bass notes alternating on every second beat. [2] The theme of the song is searching for love: "Well, I'm searching, Yeah I'm gonna find her". The refrain is simple variations of this phrase, "Gonna find her, yeah ah, gonna ...
T. S. Eliot cites Inferno, XXVII, 61–66, as an epigraph to "The Love Song of J. Alfred Prufrock" (1915). [15] Eliot cites heavily from and alludes to Dante in Prufrock and Other Observations (1917), Ara vus prec (1920), and The Waste Land (1922). [16] Begun in 1916, Ezra Pound's Cantos take the Comedy as a model. [16]
The long quotation from Dante's Inferno that prefaces T. S. Eliot's "The Love Song of J. Alfred Prufrock" is part of a speech by one of the damned in Dante's Hell. The epigraph to E. L. Doctorow's Ragtime quotes Scott Joplin's instructions to those who play his music, "Do not play this piece fast. It is never right to play ragtime fast."