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An antidote to what Duchamp called "retinal art", In Advance of the Broken Arm was the second of a series of sculptures that he named "ready-mades", the most famous of which is his 1917 Fountain. At the time, the term "ready-made" referred to manufactured goods as opposed to handmade goods, but Duchamp used the term to describe "an ordinary ...
Two years later, through correspondence from New York with his sister, Suzanne Duchamp, in France he intended to make it a readymade by asking her to paint on it "(from) Marcel Duchamp". However, Suzanne, who was looking after his Paris studio, had already disposed of it. In Advance of the Broken Arm (En prévision du bras cassé), 1915.
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
Marcel Duchamp, photograph published in Les Peintres Cubistes, 1913 This is an incomplete list of works by the French artist Marcel Duchamp (28 July 1887 – 2 October 1968), painter, sculptor, chess player, and writer whose work is associated with Cubism , conceptual art , and Dada .
In Advance of the Broken Arm, a 1915 readymade sculpture from Marcel Duchamp, consisted of a regular snow shovel with "from Marcel Duchamp 1915" painted on the handle. The original artwork which used to hang in Duchamp's studio is now lost, but an authorized replica is in the collection of the Yale University Art Gallery. [14]
Nude Descending a Staircase, No. 2 (French: Nu descendant un escalier n° 2) is a 1912 painting by Marcel Duchamp. The work is widely regarded as a Modernist classic and has become one of the most famous of its time. Before its first presentation at the 1912 Salon des Indépendants in Paris it was rejected by the Cubists as being too Futurist.
Marcel Duchamp, Fountain, 1917; photograph by Alfred Stieglitz. A found object (a calque from the French objet trouvé), or found art, [1] [2] [3] is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. [4]
Man Ray, 1920, The Coat-Stand (Porte manteau), reproduced in New York dada (magazine), Marcel Duchamp and Man Ray, April, 1921 [13] The most prominent of all the American Dadaists, Man Ray was a highly capable and innovative artist in a number of different mediums. Born in Philadelphia, he is the most prominent native artist amongst the New ...