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A jazz band (jazz ensemble or jazz combo) ... Originally, the clarinet was a central instrument in jazz, beginning with the New Orleans players in the 1910s.
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
A jazz term used in 1950s and 1960s-era avant-garde and free jazz (e.g. Ornette Coleman) which instructs a soloist to improvise without following the chord changes being used by the rhythm section instruments. inside. In jazz, to improvise in an "inside" manner means to play within the chords set out in the chord progression and their most ...
Characterized by electronic instruments, riffs, and extended solos. 1970s -> Jazz poetry: 1920s -> Jazz pop: Jazz rap: Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism.
In jazz ensembles or combos, the instruments typically include wind instruments (one or more saxophones, trumpets, etc.), one or two chordal "comping" instruments (electric guitar, acoustic guitar, piano, or Hammond organ), a bass instrument (bass guitar or double bass), and a drummer or percussionist. Jazz ensembles may be solely instrumental ...
Pages in category "Jazz instruments" The following 30 pages are in this category, out of 30 total. This list may not reflect recent changes. B. Bass guitar;
Jazz organist Jimmy Smith at a show in Italy in 1994; the sax and drumkit of the other trio members can be seen in this picture.. An organ trio is a form of jazz ensemble consisting of three musicians; a Hammond organ player, a drummer, and either a jazz guitarist or a saxophone player.
Many notable French horn musicians struck out in smaller groups, giving the instrument a headliner role in jazz combos. A good account of the presence of the French horn in jazz is Ronald Sweetman's study, A Preliminary Chronology of the Use of the French Horn in Jazz, Further Rev. 1991 Text, Montréal Vintage Society, 1991, ISBN 1-895002-05-2.
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