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The walls have an average width of 3 metres (9.8 ft) and an average height of 12 metres (39 ft). The nine gates were completed over several different periods. The Puerta de San Vicente (Gate of St Vincent) and the Puerta del Alcazar (Gate of the Fortress) are flanked by twin towers, 20 metres (66 ft) high, linked by a semicircular arch.
The walls represent the largest fully illuminated monument in the world. It is possible to walk upon the walls for roughly half their circumference. While some of the walls will never be walkable because of their integration into other structures, a large stretch has yet to be made safe for pedestrians.
It was designed in relation to the old city, in view of the walls. On the floor, granite lines visually link different points of the area with the most significant elements of Ávila. In the center there is a rectangular burial mound in which the remains from the excavated tombs were deposited. [ 7 ]
A defensive wall is a fortification usually used to protect a city, town or other settlement from potential aggressors. The walls can range from simple palisades or earthworks to extensive military fortifications such as curtain walls with towers, bastions and gates for access to the city. [1]
South view from the medieval walls. The Cathedral of Ávila is considered by its age (12th century), along with the Cathedral of Cuenca, as the first two Gothic cathedrals in Spain. It predates other important Spanish Gothic cathedrals, such as the Cathedral of Burgos (1222–1260) and the Cathedral of León (started about 1255).
Ávila (Spanish: ⓘ) is a province of central-western Spain, in the southern part of the autonomous community of Castile and León.It is bordered on the south by the provinces of Toledo and Cáceres, on the west by Salamanca, on the north by Valladolid, and on the east by Segovia and Madrid. Ávila has a population of 158,265 (2018) and is ranked 47th out of 50 of Spanish provinces in population.
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Medieval walls of Ávila. Map of Iberia in 1479, around the time of the Farce of Ávila. On a large platform visible from a distance, the conspirators erected a wooden statue representing the king, dressed in mourning clothes and with his crown, staff, and sword.