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Traditional Shan art typically had a Buddha with the characteristic monk's robes, or adorned with a crown and decorated with various other mediums like putty and glass. [ 3 ] Shan sculptures are distinctive and easily recognizable when looking through the history of Burmese Buddhist art.
In the Hall of Performing Arts, there are many musical instruments and an ornate saingwaing (traditional Burmese orchestra), as well as Burmese marionettes used in classical dramas and operas. The Hall of Ethnic Culture on the fourth floor shows national dresses and traditional artifacts of various ethnic groups of Myanmar.
In addition to the traditional arts are silk weaving, pottery, tapestry making, gemstone engraving, and gold leaf making. Temple architecture is typically of brick and stucco, and pagodas are often covered with layers of gold leaf while monasteries tend to be built of wood (although monasteries in cities are more likely to be built of modern ...
This exhibition room displays Myanmar dramatic art, a Myanmar traditional orchestra and a miniature theatre stage according to tradition. Myanmar traditional musical instruments, and various musical instruments of Kachin, Kayah, Kayin, Chin, Bama, Mon, Rakhine and Shan national ethnic groups are also displayed. Puppeteers and marionettes
Myanmar's traditional architecture is primarily used for worship, pilgrimage, ... Wood carving in Myanmar is a traditional art which has survived for centuries. Due ...
The traditional martial arts of Myanmar are regrouped under a term called "thaing", which includes bando, banshay, naban, shan gyi and Lethwei. According to researchers, thaing can be traced in its earliest form to the 12th century of the Pagan Kingdom dynasty.
However, like most forms of traditional arts, patronage vanished upon the colonisation of Upper Burma by the British in November 1885, following the Third Anglo-Burmese War. In the late 1990s, General Khin Nyunt of the ruling junta lent official support to marionette actors and troupes, [ 2 ] thus reviving a rapidly dying tradition. [ 3 ]
Ba Kyi, FRSA (Burmese: ဘကြည် [ba̰ tɕì]; 17 July 1912 – 15 April 2000) was a well-known and prolific Burmese artist. He was initially trained in western painting, but in the post-World War II independence period, he initiated a revival of Traditional painting, borrowing from the Western training he had received as well as his own cultural heritage of painting styles and techniques.