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Walker Evans (November 3, 1903 – April 10, 1975) was an American photographer and photojournalist best known for his work for the Resettlement Administration and the Farm Security Administration (FSA) documenting the effects of the Great Depression.
74th Street is an east–west street carrying pedestrian traffic and eastbound automotive/bicycle traffic in the New York City borough of Manhattan.It runs through the Upper East Side neighborhood (in ZIP code 10021, where it is known as East 74th Street), and the Upper West Side neighborhood (in ZIP code 10023, where it is known as West 74th Street), on both sides of Central Park.
The work was exhibited as Walker Evans Subway Photographs and Other Recent Acquisitions held at the National Gallery of Art, 1991–1992, accompanied by the catalogue Walker Evans: Subways and Streets. [25] Helen Levitt, then a teacher of young children, associated with Evans in 1938–39.
A current New York City Transit Authority rail system map (unofficial) The New York City Subway is a rapid transit system that serves four of the five boroughs of New York City in the U.S. state of New York: the Bronx, Brooklyn, Manhattan, and Queens.
The Estate of Walker Evans saw the series as a copyright infringement, and acquired Levine's works to prohibit their sale. [11] Levine later donated the whole series to the estate. All of it is now owned by the Metropolitan Museum of Art, New York. [12] Levine's appropriation of Evans's images has since become a hallmark of the postmodern ...
Walker Evans photograph of three sharecroppers, Frank Tengle, Bud Fields, and Floyd Burroughs, Alabama, summer 1936. Let Us Now Praise Famous Men grew out of an assignment that Agee and Evans accepted in 1936 to produce a Fortune article on the conditions among sharecropper families in the American South during the Great Depression.
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The museum also acquired Walker Evans's personal collection of photographs, a particular coup considering the high demand for his works. The department of photography was founded in 1992. Though the department gained a permanent gallery in 1997, not all of the department's holdings are on display at any given time, due to the sensitive ...