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The most prominent feature in musical Impressionism is the use of "color", or in musical terms, timbre, which can be achieved through orchestration, harmonic usage, texture, etc. [3] Other elements of musical Impressionism also involve new chord combinations, ambiguous tonality, extended harmonies, use of modes and exotic scales, parallel ...
This is a list of notable musical works which use the whole tone scale. Béla Bartók. Cantata Profana, b. 186–187 [1] Concerto for Orchestra, fifth movement, b. 484 [2] String Quartet No. 1, end of movement 3 [3] String Quartet No. 4, first movement, b. 157–160 [4]
The composer Olivier Messiaen called the whole-tone scale his first mode of limited transposition. The composer and music theorist George Perle calls the whole-tone scale interval cycle 2, or C2. Since there are only two possible whole-tone-scale positions (that is, the whole-tone scale can be transposed only once), it is either C2 0 or C2 1.
Ernest Fanelli (29 June 1860 – 24 November 1917) was a French composer who is known for his works which have been considered as precursing Impressionism.He gained renown when his symphonic poem Thèbes premiered in Paris; this was a work incorporating elements associated with music ahead of its time, such as unique harmonies, extended chords, and polytonality.
Albert Roussel. Albert Charles Paul Marie Roussel (French pronunciation: [albɛʁ ʃaʁl pɔl maʁi ʁusɛl]; 5 April 1869 – 23 August 1937) was a French composer.He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period.
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Atonality in its broadest sense is music that lacks a tonal center, or key. Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. [1]
The first use of this term seems to be in a catalog for an exhibition titled "Tonal Impressionism" which he curated for the Los Angeles Art Association Gallery at the Los Angeles Central Library in June 1937. Kurtzworth, who chose the paintings and wrote the catalog preface stated that: "By tone or tonal painting is meant the feeling of harmony ...