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The church building is divided into three main parts: the narthex , the nave (the temple proper) and the sanctuary (also called the altar or holy place). A major difference of traditional Orthodox churches from Western churches is the absence of any pews in the nave. In some ethnic traditions of Orthodoxy, it was deemed disrespectful to sit ...
Plan of a Western cathedral, with the narthex in the shaded area at the western end. Floorplan of the Chora Church, showing both inner and outer narthex.. The narthex is an architectural element typical of early Christian and Byzantine basilicas and churches consisting of the entrance or vestibule, located at the west end of the nave, opposite the church's main altar. [1]
The design theme for the narthex was inspired by the courtyards of antiquity, featuring the classical orders of Doric and Ionic, and a barrel vault. In this transition space from indoors to outdoors, the narthex, similar to an open atrium, is expanded to allow the congregants to gather and greet one another prior to Mass, a preference voiced by ...
Plan of Old St Peter's Basilica, showing atrium (courtyard), narthex , central nave with double aisles, a bema for the clergy extending into a transept, and an exedra or semi-circular apse. The church building grew out of a number of features of the Ancient Roman period: The house church; The atrium; The basilica; The bema
A new Protestant interior design scheme was established in many German Lutheran churches during the 18th century, following the example of the court chapel of Wilhelmsburg Castle of 1590: The connection of altar with baptismal font, pulpit and organ in a vertical axis. The central painting above the altar was replaced with the pulpit.
The floor plan is a cruciform with a large narthex and an ambulatory connecting the nave to two sacristies. The interior of the sanctuary was designed to look like a high renaissance or baroque church. [9] The marble was supplied by Twin City Tile & Marble Co. of St. Paul, Minnesota. [11]
The narthex entrance. Both inside and out, the walls of the chapel are of grey Indiana limestone. The interior ceiling is lined with a structural acoustical tile which, although it is a ceramic product, approximates stone. The floor of the chapel is crab orchard stone with Vermont green slate in the side aisles.
The architectural articulation of the distinct spaces of a cross-in-square church corresponds to their distinct functions in the celebration of the liturgy.The narthex serves as an entrance hall, but also for special liturgical functions, such as baptism, and as an honored site of burial (often, as in the case of the Martorana in Palermo, for the founders of the church).