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Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
Late Medieval clothing and embroidery Archived 2 July 2007 at the Wayback Machine; Late 15th century Italian (Venice) Velvet at the Metropolitan Museum of Art; 15th Century Female Flemish Dress: A Portfolio of Images, by Hope Greenberg; Women's Clothing in 15th Century Florence; Burgundian wedding c1470, from the Getty
Men and women wore outer clothes with detachable and often slashed sleeves of varied designs. Wealthy people owned many different pairs of sleeves to match their overcoats and dresses. [6] [7] The Renaissance changed societal attitudes toward clothing and appearance. Men in particular wanted to wear more fitted clothes to emphasize their body ...
Dior’s Modern Renaissance Moment in ... 1955 show and charity ball in Scotland on shirts and dresses, a smattering of feminist verbiage on a corset, and a shawl blanket embroidered with a map of ...
A farthingale is one of several structures used under Western European women's clothing - especially in the 16th and 17th centuries - to support the skirts in the desired shape and to enlarge the lower half of the body. The fashion originated in Spain in the fifteenth century. Farthingales served important social and cultural functions for ...
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
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