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Frenchy the Clown – character of the national lampoon comic Evil clown comics series. Fun Gus the Laughing Clown - cursed character in the cosmic/folk horror novel, "The Cursed Earth" by D.T. Neal (Nosetouch Press, 2022). The Ghost Clown – evil hypnotist clown featured in the Scooby-Doo, Where Are You! episode titled "Bedlam in the Big Top"
A clown is a person who performs physical comedy and arts in an open-ended fashion, typically while wearing distinct makeup or costuming and reversing folkway-norms.The art of performing as a clown is known as clowning or buffoonery, and the term "clown" may be used synonymously with predecessors like jester, joker, buffoon, fool, or harlequin.
Following World War I, circus films became popular. In 1924 He Who Gets Slapped was the first film released by MGM; in 1925 Sally of the Sawdust (remade 1930), Variety, and Vaudeville were produced, followed by The Devil's Circus in 1926 and The Circus starring Charlie Chaplin, Circus Rookies, 4 Devils; and Laugh Clown Laugh in 1928.
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A year later, the hobo character that had first been created on a drawing board in Kansas City came to life. Ragged homeless men were commonplace during the Depression, and on April 21, 1933, the tramp clown made his first appearance during a performance at the Chicago Coliseum. [9] In early 1934 a second child, Patrick, was born.
The first person Bill wanted on his faculty was Lou Jacobs. Bill was well acquainted with Jacobs because he performed with him as a clown in the 1947 and ’48 campaigns. This was not the first time Jacobs taught clowning. He was James Stewart’s tutor when he played a clown in the 1952 Cecil B. DeMille movie, The Greatest Show On Earth. The ...
The whiteface clown is traditionally costumed more extravagantly than the other two clown types. They often wear the ruffled collar and pointed hat which typify the average person's idea of a "clown suit". Notable examples of whiteface clowns in circus history include François Fratellini and Felix Adler. [1] [2]
Memoirs of Joseph Grimaldi is the 1838 autobiography of the pioneering nineteenth-century clown Joseph Grimaldi. It was edited by Charles Dickens , who first saw Grimaldi perform when he was just seven years old.