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The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in an uncapped ...
The most basic style is the Traditional reed (also known as the "Blue Box" reed), which is very similar to the Traditional clarinet reed. It features a thin tip and a strong heart. Although the Traditional reed is seen as a "classical" saxophone reed, it is extremely versatile and is used by many saxophonists in a variety of musical styles.
The clarinet and tenor saxophone player Jimmy Giuffre used a clarinet-style embouchure with a tenor saxophone with a specially-modified neck. [3] It is still commonly, and controversially, taught to beginning students as a shortcut to a passable result in lieu of more sustained effort developing embouchure strength and technique.
Built in B♭ an octave above the tenor saxophone (or rarely, slightly smaller in C), the soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass, and subcontrabass. The soprillo and sopranino are rare instruments, making ...
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass.As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body.
A reed clipper for clarinet. A reed clipper (also known as a reed trimmer or reed cutter) is a small tool used by clarinet or saxophone players to adjust the single reeds used on those instruments. The clipper is used to trim off a portion from the tip of the reed, similarly to a nail clipper. This can make a soft reed harder or more resistant ...
The standard embouchures for single reed woodwinds like the clarinet and saxophone are variants of the single lip embouchure, formed by resting the reed upon the bottom lip, which rests on the teeth and is supported by the chin muscles and the buccinator muscles on the sides of the mouth. The top teeth rest on top of the mouthpiece.
A key fact for understanding both overblowing and bending on such an instrument: a free reed mounted over a reedplate slot will normally respond to air flows that pull it initially into the slot, i.e., as a closing reed, but, at only slightly higher air pressure from the opposite side, will also respond as an opening reed; the resulting pitch ...
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