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The De Stijl influence on architecture remained considerable long after its inception; Mies van der Rohe was among the most important proponents of its ideas. Between 1923 and 1924, Rietveld designed the Rietveld Schröder House, the only building to have been created completely according to De Stijl principles.
He sketched the first possible design for the building; Schröder-Schrader was not pleased. She envisioned a house that was free from association and could create a connection between the inside and outside. The house is one of the best known examples of De Stijl-architecture and arguably the only true De Stijl building. Mrs.
Although De Stijl was made up of many members, Van Doesburg was the "ambassador" of the movement, promoting it across Europe. He moved to Weimar in 1922, deciding to make an impression on the Bauhaus principal, Walter Gropius , to spread the influence of the movement.
From 1917 he was an influential member of the De Stijl movement. Although he was born to a comfortable middle-class background, married a wealthy heiress, and for a while was able to subsidise the publication of the De Stijl journal, [1] van 't Hoff was a member of the Communist Party of the Netherlands in the years following World War I.
Expressionist architects like Michel de Klerk and Piet Kramer were associated with the Amsterdam School, a modern movement that emphasized the importance of craftsmanship. [9] A direct relationship can be observed in Plan Zuid. Another group established De Stijl, based on the eponymous magazine (1917–1932). [10]
By then, he had mostly let go of any Stijl influences. He continued to take a highly individualistic stance against mainstream modernism. He designed projects such as the Spaarbank in Rotterdam, office-building De Utrecht in Rotterdam and the Children's health-centre in Arnhem (Bio-herstellingsoord). Oud's brother, Pieter Oud was mayor of ...
Truus Schröder-Schräder (1889–1985) was a Dutch socialite and trained pharmacist who was closely involved with avant-garde artists and architects of the De Stijl movement. Together with Gerrit Rietveld, she built a house for herself and her three children — the Rietveld Schröder House — which is today a UNESCO World Heritage Site. [1]
Neoplasticism (or neo-plasticism), originating from the Dutch Nieuwe Beelding, is an avant-garde art theory proposed by Piet Mondrian [a] in 1917 and initially employed by the Dutch De Stijl art movement.
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