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The first true graphic equalizer was the type 7080 developed by Art Davis's Cinema Engineering. [when?] It featured 6 bands with a boost or cut range of 8 dB. It used a slide switch to adjust each band in 1 dB steps. Davis's second graphic equalizer was the Altec Lansing Model 9062A EQ. In 1967 Davis developed the first 1/3 octave variable ...
An idealized and extreme smiley face curve shown using a 29-band graphic equalizer. A smiley face curve or mid scoop [1] in audio signal processing is a target frequency response curve characterized by boosted low and high frequencies coupled with reduced midrange frequency power.
Has a 5-band graphic equalizer [186] MT 105 44 mini AA (x6) MT 110 49 mini AA (x6) MT 140 49 ... DSP modulation settings WK 3500 2003 76 full 790 32 MIDI
The OB•12 offers four independent FX units, all available at the same time, and with a flexible routing facility. These effects, which are totally configurable, are Overdrive, Chorus, Delay and Reverb. In addition, there is an EQ section, whose mode can be exchanged between a 5 bands graphic EQ or 3 band parametric EQ. Voice modes
In addition there are four assignable control sliders and one 'rotary encoder'. The display is a 240 × 64 dot graphic backlit LCD. Back Panel Output: L/mono, R (1 /4" Jacks) Assignable output: L, R (1 /4" Jacks) Master Equalizer (5 bands) Phones (Stereo 1 /4" Jack) 2 × Foot controller 2 × Foot switch: Assignable, Sustain Breath MIDI IN MIDI ...
Smith produced a number of custom variations of the Boogie through the late 1970s, with options including reverb, a five-band graphic EQ, various speakers (most often Altec or Electro-Voice), koa wood jointed cabinets, and wicker grills. [3] Upon the 1978 release of the Boogie's successor—the "Mark II"—the Boogie was renamed the Mark I. [1]
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Graphic equalizers are fixed frequency equalizers; The center frequency of each band can not be adjusted. The bandwidth or Q of each band can either be 1/3, 2/3 or one octave, giving a 31-band, 15-band, or 10-band for a graphic equalizer that covers the audio frequency range. The narrower the band the more precisely the feedback frequency can ...