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In the dance or wayang performance, the kendang player will follow the movements of the dancer, and communicate them to the other players in the ensemble. In West Java (Sundanese), kendang are used to keep the tempo of Gamelan Degung. Kendang are also used as main instrument for Jaipongan dances. In another composition called Rampak Kendang, a ...
Gordang sambilan is a kendang (Indonesian version of drum) musical instrument originating from North Sumatra, Indonesia. [1] Gordang sambilan consists of nine relatively large and long drums (drum chime) made of ingul wood and played by four people. The size and length of the nine drums are stratified, starting from the largest to the smallest.
Ladrang form on the balugan instruments. GONG = gong ageng Play approximation without colotomy ⓘ The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan.
Kacapi, the instrument has a resonance box with the bottom exposed to allow the sound to come out, the sides of this type of kacapi taper inward from top to bottom, which gives the instrument the shape of a boat. In ancient times, it was made directly from solid wood by means of a hole. This is on par with Guzheng.
The mridangam is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to ...
Celempungan is a Sundanese musical genre that includes several musical instruments such as kacapi, kendang, goong/gong, and suling or rebab (optional), and Juru Kawih (singer). Kendang, the drum, controls the tempo of the ensemble and reinforces the meter. Celempungan is named for the celempung, a bamboo tube zither from West Java. [1]
Its older forms were made with clay. It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics.
A typical ensemble will have 4 to 6 grantangs and are accompanied by Suling , Kendang , Ceng-ceng , and a beat keeping instrument made out of bamboo or bronze. There will also be gongs of various types and a larger bass gramtang called a Jegog playing the underlying melody.