Search results
Results from the WOW.Com Content Network
"You Can Call Me Al" is a song by American singer-songwriter Paul Simon. It was the lead single from his seventh studio album, Graceland (1986), released on Warner Bros. Records . Written by Simon, its lyrics follow an individual seemingly experiencing a midlife crisis .
The song appeared again in an advertisement which aired on February 6, 2011, during a Super Bowl commercial in addition to advertisements in 2007. Another commercial, for the BMW Z3, had the driver listening to a cassette tape of the song, frowning after Mercedes-Benz was mentioned, and throwing the tape out of the car after the Porsche is ...
The song features Juelz Santana on the second verse and chorus and is produced by Prime. [4] Banks describes the song as a "club record with a lot of energy". [ 2 ] Beamer, Benz, or Bentley was released with no major label promotion and reached number 49 on the Billboard Hot 100 . [ 5 ]
"BMF" (formerly "Boy from South Detroit") is a song by American singer-songwriter SZA from Lana (2024), the reissue of her second studio album SOS (2022). It references Journey 's " Don't Stop Believin' " , both of which feature a "south Detroit" line, and interpolates the 1960s bossa nova single " The Girl from Ipanema ".
The video was the last video to be made off the Razorblade Suitcase album. Directed by Mark Lebon from 21 to 24 May 1997 in London, the music video was made because BMW approached the band and wanted to use the song in an ad, and they also offered a BMW Z3 to each of the band members.
During 2001 the song was used in a TV and cinema advertising campaign for UK mobile phone company One2One, which featured Gary Oldman. The song was also used in Arte documentary series about photographer Helmut Newton, "Mein Leben" (2002). In 2000, the song was used by carmaker BMW in a commercial advertising its 5 Series (E39). [3] [4]
"Bad Girls" first appeared on M.I.A.'s self-released mixtape Vicki Leekx (2010), shortly following the release of her third studio album Maya earlier that year. [5] Recording sessions for the song transpired in Miami, Florida; M.I.A worked with Danja, a producer who previously collaborated with recording artists such as Madonna and Nelly Furtado. [6]
Recorded by Toots and the Maytals, the song was originally released on the Beverley's label in Jamaica and the Pyramid label in the UK. [2] A follow-up version released a year later, "54-46 Was My Number", [3] was one of the first reggae songs to receive widespread popularity outside Jamaica, and is seen as being one of the defining songs of ...