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Jean-Léon Gérôme/Art Renewal Center Over 350 Gerome images, list of students with examples of work, biography, and letters; Artencyclopedia.com page on Gérôme; www.jeanleongerome.org nearly 300 images by the artist "Gérôme, Jean-Léon" . New International Encyclopedia. 1906. "Gérôme, Jean Léon" . The American Cyclopædia. 1879.
Cleopatra and Caesar (French: Cléopâtre et César), also known as Cleopatra Before Caesar, is an oil-on-canvas painting by the French Academic artist Jean-Léon Gérôme, completed in 1866. The work was originally commissioned by the French courtesan La Païva , but she was unhappy with the finished painting and returned it to Gérôme.
Pygmalion and Galatea (French: Pygmalion et Galatée) is an 1890 painting by the French artist Jean-Léon Gérôme. [1] The motif is taken from Ovid's Metamorphoses and depicts the sculptor Pygmalion kissing his statue Galatea at the moment the goddess Aphrodite brings her to life.
The Snake Charmer is an oil-on-canvas painting by French artist Jean-Léon Gérôme produced around 1879. [1] After it was used on the cover of Edward Said's book Orientalism in 1978, the work "attained a level of notoriety matched by few Orientalist paintings," [2] as it became a lightning-rod for criticism of Orientalism in general and Orientalist painting in particular, although Said ...
The Slave Market (French: Le Marché d'esclaves) is an 1866 painting by the French artist Jean-Léon Gérôme.It depicts a Middle Eastern or North African setting where a man inspects the teeth of a nude, female Abyssinian slave in the context of the Barbary slave trade.
Bonaparte Before the Sphinx (French: Bonaparte devant le Sphinx) is an 1886 painting by the French artist Jean-Léon Gérôme.It is also known as Oedipus (Œdipe).It depicts Napoleon Bonaparte during his Egyptian campaign, positioned on horseback in front of the Great Sphinx of Giza, with his army in the background.
The Tulip Folly is an 1882 painting by French artist Jean-Léon Gérôme. Done in oil on canvas, the painting demonstrates a conceptual scene from the historical "tulip mania" of 17th century Holland. [1] The work is in the collection of the Walters Museum of Art. [2]
Gérôme's painting depicts Phryne standing nude, her hands covering her face. [4] Hypereides, shown standing to the left of the painting, holds Phryne's robe; the jurors sit on the right hand side. [5] Gérôme used Marie-Christine Leroux as a model for Phryne. [6] The work was exhibited at the 1861 Salon de Paris. [7]
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