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Upload file; Special pages; Permanent link; Page information; Cite this page; Get shortened URL; Download QR code; ... IV-V-I-VI chord progression in C major: 4: Major
Media in category "Chord progressions" The following 5 files are in this category, out of 5 total. 'Satch Boogie' pitch axis progression.png 566 × 176; 21 KB
Ragtime progression's origin in voice leading: II itself is the product of a 5–6 replacement over IV in IV–V–I. "Such a replacement originates purely in voice-leading, but" the 6 3 chord above IV (in C, FAD) is a first-inversion II chord. [2] Play ⓘ
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
The following 43 files are in this category, out of 43 total. 'Satch Boogie' pitch axis progression.mid 26 s; 520 bytes A Hard Day's Night opening phrase.mid 3.4 s; 280 bytes
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A popular variant is vi–IV–V–I, commonly known as the "Komuro progression" (小室進行, komuro shinkō), namesake of Tetsuya Komuro who popularised the progression. [ 2 ] I–IV–V–I chord progression in J.S. Bach 's The Well-Tempered Clavier Book II, Prelude in C major.
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