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The enigma, or apparent paradox relevant to Zuni belief and realism in art is resolved in the notion that carvings for sale and collection are produced without religious intent. For this reason some carvers prefer the term "carvings" rather than the term "fetishes" when referring to offerings for collectors. [citation needed]
As the tradition of carving this wood had no name, the name “alebrije” began to be applied to the copal wood version. [19] In San Martin Tilcajete, the tradition of wood carving was strong as well, but it was also rivaled by other crafts such as embroidered shirts, blouses and dresses as late as the 1960s to 1980s. [20]
The reason for this is that there is a long Zapotec tradition of the carving of wooden figures. [23] The first to develop Oaxaca alebrijes was Manuel Jiménez Ramírez of Arrazola, who created them for over thirty years before his death, using soft copal wood which is still preferred. He then painted them in bright colors and with intricate ...
Example of woodcarving. This is a list of woodcarvers - notable people who are known for their working wood by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object.
These were adapted to the carving of a local wood called copal; this type of wood is said to be magical, made from united magic. In the 1990s, the artisans of Oaxaca began to use the word Alebrije to designate their figures carved in wood. The papier-mâché-to-wood carving adaptation was pioneered by Arrazola native Manuel Jiménez.
Seri ironwood carving. Mexican ironwood carving is a Mexican tradition of carving the wood of the Olneya tesota tree, a Sonora Desert tree commonly called ironwood (palo fierro in Spanish). Olneya tesota is a slow growing important shade tree in northwest Mexico and the southwest U.S. The wood it produces is very dense and sinks in water.
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