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J. R. R. Tolkien accompanied his Middle-earth fantasy writings with a wide variety of non-narrative materials, including paintings and drawings, calligraphy, and maps.In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books, and later on the cover of The Silmarillion.
Tolkien's illustration of the Doors of Durin for The Fellowship of the Ring, with Sindarin inscription in Tengwar script, both being his inventions. Despite his best efforts, this was the only drawing, other than maps and calligraphy, in the first edition of The Lord of the Rings. [1]
Rivendell is a direct translation or calque into English of the Sindarin Imladris, both meaning "deep valley". The name Rivendell is formed by two English elements: "riven" (split, cloven) and "dell" (valley). Imladris was rendered "Karningul" in Westron, the "Common Tongue" of Middle-earth represented as English in the text of The Lord of the ...
Tolkien: Maker of Middle-earth is a 2018 art book exploring images of the artwork, illustrations, maps, letters and manuscripts of J. R. R. Tolkien. The book was written by Catherine McIlwaine, Tolkien archivist at the Bodleian Library, Oxford. It was timed to coincide with an exhibition of the same name, also curated by McIlwaine.
Of A Tolkien Tapestry, Howick commented that the paintings ranged from "brilliant" and complex, like "Battle of the Hornburg II", to much simpler works which he found less appealing. He noted, too, that Blok sometimes departed from Tolkien's text, for instance giving Gollum a beak, and allowing the comfortable hobbit-hole of Bag End to have an ...
Alan Lee (born 20 August 1947) is an English book illustrator and film conceptual designer.He is best known for his artwork inspired by J. R. R. Tolkien's fantasy novels, and for his work on the concept design of Peter Jackson's film adaptations of Tolkien, The Lord of the Rings and The Hobbit film series.
Tolkien was preceded in the use of maps in fiction by Jonathan Swift, who showed Lilliput near Sumatra in his 1726 Gulliver's Travels. [9]Christina Fawcett writes that by creating his fantasy world of Middle-earth in the way that he did, giving it a history as well as a narrative, Tolkien was following in a tradition that interwove history with literature.
Nasmith's Tolkien artwork, which echoes the luminist landscapes and Victorian neoclassical styles, eventually caught the attention of Tolkien's publishers, who included four of his paintings in the 1987 Tolkien Calendar. His artwork has appeared in many of these calendars, including several where he is the sole featured artist (1987, 1988, 1990 ...