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Film buffs praise Robert Altman and his 1973 The Long Goodbye, but if you're not obsessed with neo-noir films from the mid-to-late 20th century, you might have missed this caper starring a young ...
Film Director Year Country Ref(s). 13 West Street: Philip Leacock: 1962 United States [1] The 3rd Voice: Hubert Cornfield: 1960 United States [2] Afraid to Die: Yasuzo Masumura: 1960 Japan [3] All Night Long: Basil Dearden: 1962 United Kingdom [4] Alphaville: Jean-Luc Godard: 1965 France [5] Any Number Can Win: Henri Verneuil: 1963 France [6 ...
The Friends of Eddie Coyle is a 1973 American neo-noir [1] crime film starring Robert Mitchum and Peter Boyle and directed by Peter Yates.The screenplay by Paul Monash was adapted from the 1970 novel The Friends of Eddie Coyle by George V. Higgins.
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
Set against a noir backdrop, "Angel Heart" (1987) weaves a haunting tale of a private detective, played by Mickey Rourke, hired by a mysterious client, portrayed by Robert De Niro, to track down a ...
American neo-noir films. Neo-noir film directors refer to 'classic noir' in the use of tilted camera angles, interplay of light and shadows, unbalanced framing; blurring of the lines between good and bad and right and wrong, and thematic motifs including revenge, paranoia, and alienation
Red Rock West is a 1993 American post-Western neo-noir [1] thriller film directed by John Dahl and starring Nicolas Cage, Lara Flynn Boyle, J. T. Walsh, and Dennis Hopper.It was written by Dahl and his brother Rick, and shot in Montana, Willcox, Arizona, Sonoita, Arizona and Elgin, Arizona.
The neo-noir subgenre refers to crime dramas and mysteries produced from the mid-1960s to the present that, while they are generally shot in color and do not always emulate the visual style of classic film noir, often borrow the themes, archetypes, and plots made famous by the film noir genre.
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