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The sentence "My nose grows" could be either true or false. Assume the sentence: "My nose grows now" is true: Which means that Pinocchio's nose does not grow now because he truthfully says it is, but then; Pinocchio's nose does not grow now because according to the novel it grows only as Pinocchio lies, but then
the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
"Live Forever" is in the key of G major (varispeeded up by less than half a semitone during mixing) and is based on a G–D–Am–C–D chord progression, with the G chord becoming an Em during the pre-chorus, though the key changes to A minor following the last chorus. The vocal melody only consists of a few notes.
WAKEFIELD, N.H. - Four people were found dead on Christmas Day in Wakefield, New Hampshire from suspected carbon monoxide poisoning, authorities said. State Fire Marshal Sean Toomey said police ...
Now pregnant again, Hathaway isn’t bothered by the size of her nose. “I know it’s temporary,” she says, adding, “I am giving myself a lot more grace.” This article was originally ...
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
At least 35 children were killed and six others critically injured in a crowd crush at a funfair in southwest Nigeria on Wednesday, police said. Eight people have been arrested for their alleged ...
Pinocchio is a play by Dennis Kelly, based on the classic children's story by Carlo Collodi and the 1940 Walt Disney film with the original songs and score by Leigh Harline, Ned Washington and Paul J. Smith, adapted by Martin Lowe.