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Geoffrey Chaucer (/ ˈ tʃ ɔː s ər / CHAW-sər; c. 1343 – 25 October 1400) was an English poet, author, and civil servant best known for The Canterbury Tales. [1] He has been called the "father of English literature", or, alternatively, the "father of English poetry". [2]
Works by Geoffrey Chaucer (2 C, 3 P) Pages in category "Geoffrey Chaucer" The following 11 pages are in this category, out of 11 total.
Durant Waite Robertson Jr. (Washington, D.C. October 11, 1914 – Chapel Hill, North Carolina, July 26, 1992) was a scholar of medieval English literature and especially Geoffrey Chaucer. He taught at Princeton University from 1946 until his retirement in 1980 as the Murray Professor of English, and was "widely regarded as this [the twentieth ...
Death Records [1] is a San Francisco-based Lo-Fi/Outsider Pop record label. Founded by Brian Wakefield & Colin Arlen in 2014, the label was created to "Represent the 'misfits of this city' who have been left behind to fend for themselves". The label has started an annual festival, Deathstock, to celebrate the labels "birthday". [2]
The Ellesmere Chaucer, or Ellesmere Manuscript of the Canterbury Tales, is an early 15th-century illuminated manuscript of Geoffrey Chaucer's Canterbury Tales, owned by the Huntington Library, in San Marino, California (EL 26 C 9). It is considered one of the most significant copies of the Tales.
Philippa de Roet (also known as Philippa Pan or Philippa Chaucer; c. 1346 [1] – c. 1387) was an English courtier, the sister of Katherine Swynford (third wife of John of Gaunt, Duke of Lancaster – a son of King Edward III) and the wife of the poet Geoffrey Chaucer.
Pages in category "Works by Geoffrey Chaucer" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. B. Boece (Chaucer) E.
W. J. B. Owen points out that "He is seeking Death; and that Death or his agent should find death is contrary to all the logic of allegory." Owen argues that a character is merely an old man and not a symbol of mortality. [15] The Old Man in "The Pardoner's Tale" is often written off as one who does not provide any sort of substance to the play.