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White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
Visit to a tomb on a white-ground lekythos by the Reed Painter. The Reed Painter (fl. 420s–410s BC) is an anonymous Greek vase painter of white-ground lekythoi, a type of vessel for containing oil often left as grave offerings.
One example of a white-ground lekythos by the Thanatos Painter is a vase in the Art Walters Museum (440–430 BCE). [3] The women are mourning over a deceased family member. There is a male figure approaching from the right side of the lekythos that is unseen by the women. He is a representation of the deceased family member. [3]
Gather up some paint, glue sticks, sequins and paper and follow the steps from one (or more!) of the 40 Thanksgiving crafts for kids ideas below from some of our favorite DIY blogs.
So, grab your craft supplies, let the kids' imaginations run wild, and get ready for a season of fun and creativity! Get creative with the kids: All the Crafts to Make With Fallen Leaves
The pottery produced in Archaic and Classical Greece included at first black-figure pottery, yet other styles emerged such as red-figure pottery and the white ground technique. Styles such as West Slope Ware were characteristic of the subsequent Hellenistic period , which saw vase painting's decline.
Within the restrictions of these techniques and other strong conventions, vase-painters achieved remarkable results, combining refinement and powerful expression. White ground technique allowed more freedom in depiction, but did not wear well and was mostly made for burial. [6] Interior of an Attic red-figure cup, about 450 BC
Alcaeus and Sappho, Side A of an Attic red-figure calathus, ca. 470 BC.From Akragas, Staatliche Antikensammlungen In the 19th century CE, a magnificent red-figure kylix bearing the Brygos signature and painted in the style of the artist now known as the Brygos Painter was discovered in a 5th-century BCE tomb in Capua, leading John Beazley to dub the tomb (Tomb II) the “Brygos Tomb."
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