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The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C 3 (C one octave below middle C), to the high C (C 5). The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F ...
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
In music, a tenor is a male singer with a high voice. Subcategories. This category has the following 5 subcategories, out of 5 total. Tenors by nationality ...
In non-classical music, singers are defined by their genre and their gender and not by their vocal range. [2] When the terms soprano , mezzo-soprano , contralto , tenor , baritone , and bass are used as descriptors of non-classical voices, they are applied more loosely than they would be to those of classical singers and generally refer only to ...
Some instruments fall into more than one category: for example, the cello may be considered either tenor or bass, depending on how its music fits into the ensemble, and the trombone may be alto, tenor, or bass and the French horn, bass, baritone, tenor, or alto, depending on which range it is played. In a typical concert band setting, the first ...
Tenore di grazia, also called leggero tenor [a] (graceful, light, and lightweight tenor, respectively), is a lightweight, flexible tenor voice type. [2] [3] The tenor roles written in the early 19th-century Italian operas are invariably leggero tenor roles, especially those by Rossini such as Lindoro in L'italiana in Algeri, Don Ramiro in La Cenerentola, and Almaviva in Il barbiere di Siviglia ...
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
It is a type of tenor voice with a compass not much wider than that of the coeval baritenor, but able to sustain far higher tessiture.It means that the basic range remained substantially the classic one, from C 3 to C 5: only the best baritenors, however, were able to reach up to such heights and used to pass anyway to the falsettone (or strengthened falsetto) register [2] about G 4; for ...