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The JBL L-100 and 4310 control monitors were popular home speakers. In the late 1970s, the new L-series designs L15, L26, L46, L56, L86, L96, L112, L150, and later the L150A and flagship L250 were introduced with improved crossovers, ceramic magnet woofers, updated midrange drivers, and aluminum-deposition phenolic resin tweeters.
Some of the first powered loudspeakers were JBL monitor speakers. With the addition of the SE401 Stereo Energizer, introduced in 1964, any pair of monitor speakers could be converted to self-powered operation with the second speaker powered by the first. [8] The first studio monitor with an active crossover was the OY invented 1967 by Klein-Hummel.
Genesis' original flagship system, the 1.2, retailed for US$235,000, [3] and is basically an updated Infinity IRS system. [4] Since the departure of Nudell, Infinity speaker designs have taken a more mass market-oriented approach. The efficient SM (Studio Monitor) series incorporated a polycell tweeter and graphite-impregnated midrange/woofers.
Oswalds Mill Audio: United States Panasonic: Japan Peavey Electronics: United States Philips: Netherlands Pioneer: Japan PMC speakers: United Kingdom Polk Audio: United States ProAc: United Kingdom PSB Speakers: Canada QSC Audio Products: United States Quad Electroacoustics: United Kingdom (brand) Radio Shack: United States RCF audio: Italy ...
A number of manufacturers produce powered monitor speakers, which contain an integrated amplifier. Using monitor speakers instead of in-ear monitors typically results in an increase of stage volume, which can lead to more feedback issues and progressive hearing damage for the performers in front of them. [13]
The 4311 was so popular with professionals that JBL introduced a domestic version for the burgeoning home-audio market. This speaker, the JBL L-100, (or "Century") was a massive success and became the biggest-selling hi-fi speaker ever within a few years. By 1975, JBL overtook Altec as the monitor of choice for most studios.
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