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In chapter 23, Job again ponders on the possible legal case against God (verses 1–7), but he is terrified on the prospect of facing God, which he desperately seeks but cannot see (verses 8–9), yet he believes God knows all Job's way and will complete the purposes in Job's life (verses 10–14), so Job testifies that he both is longing and ...
Job and His Friends by Ilya Repin (1869) The Hebrew Book of Job is part of Ketuvim ("Writings") of the Hebrew Bible. Not much is known about Job based on the Masoretic Text. The characters in the Book of Job consist of Job, his wife, his three friends (Bildad, Eliphaz, and Zophar), a man named Elihu, God, and angels.
It was precisely this deep piety and the divine favour which incited the envy of Satan who - not without much effort - eventually succeeded in obtaining God's consent to put Job to the test. Thus, in a rapid sequence of calamities, Job is robbed of all his possessions, his herds, his servants, his house and all his ten children.
The first part of the section describes Job's mockers from Job's point-of-view (verses 2–8. [14] With the recurrence of "and now" (verse 9; cf. "but now" in verse 1), Job returns to the complaint about the treatment of him by his "enemies", who include the outcasts of the community. [ 14 ]
A scroll of the Book of Job, in Hebrew. The Book of Job consists of a prose prologue and epilogue narrative framing poetic dialogues and monologues. [4] It is common to view the narrative frame as the original core of the book, enlarged later by the poetic dialogues and discourses, and sections of the book such as the Elihu speeches and the wisdom poem of chapter 28 as late insertions, but ...
a commentary by Pseudo-Ignatius (4th century) Exerpta in Job by Athanasius of Alexandria (d. 373) a commentary by Didymus the Blind (d. 398) a commentary by Hesychius of Jerusalem (5th century) a commentary by Julian the Arian (5th century) a fragmentary commentary by Elishaʿ bar Quzbaye (5th/6th century) Moralia in Job (578–595) by Gregory ...
The Book of Job was an important influence upon Blake's writings and art; [11] Blake apparently identified with Job, as he spent his lifetime unrecognized and impoverished. Harold Bloom has interpreted Blake's most famous lyric, The Tyger , as a revision of God's rhetorical questions in the Book of Job concerning Behemoth and Leviathan. [ 12 ]
In his last speech of the book (chapter 22), Eliphaz becomes more direct in his accusation of Job as a sinner, even further than the position of Bildad and Zophar, by confronting Job with a list of alleged offenses (verses 1–11) in contrast to God's knowledge and power (verses 12–20), so at the end Eliphaz urges Job to repent (verses 21 ...