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"Ain't No Half-Steppin'" is a 1988 hip-hop song written and performed by American rapper Big Daddy Kane. Released as a single from Kane's debut album Long Live the Kane, it peaked at No. 53 on the Billboard Hot Black Singles chart. The song samples "Ain't No Half Steppin'" by Heatwave, "UFO" by ESG, and "Blind Alley" by The Emotions. [1]
"Raw" and "Ain't No Half Steppin'" are both described as "underground sensation[s]" and "classic[s]" by Allmusic's Steve Huey. [3] "Raw" does not appear on Long Live the Kane, but a remix which utilizes the same beat does. Big Daddy Kane's debut album contains many tracks that were later featured on greatest hits compilations.
Rolling Stone ranked his song "Ain't No Half-Steppin '" number 25 on its list of The 50 Greatest Hip-Hop Songs of All Time, calling him "a master wordsmith of rap's late -golden age and a huge influence on a generation of MCs".
"A Job Ain't Nuthin' but Work" Big Daddy Kane, Lo-Key? Mo' Money (soundtrack) "#1 with a Bullet" Kool G Rap, DJ Polo Live and Let Die "Close the Crackhouse" [24] 1993 Professor X the Overseer, Chuck D, etc. Puss N' Boots (The Struggle Continues....) "We wit' It" 1994 Treacherous Three, Chuck D, Grandmaster Caz, Heavy D, Melle Mel, Tito: Old ...
Despite the positive reviews, the album saw a large drop in Kane's commercial popularity, and produced no crossover hit singles, like 1993's "Very Special". The album features the singles "In the PJ's" and the DJ Premier -produced posse cut "Show & Prove", featuring Ol' Dirty Bastard , Shyheim , Sauce Money and a then-unknown Jay Z (credited as ...
Unlike his debut album, which was solely produced by Marley Marl, Kane himself produced the majority of the album.Production was also provided by Prince Paul, Easy Mo Bee, Teddy Riley, Mister Cee, as well as Marley Marl.
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The pair reviewed several older tunes and melodies, and chose "Blind Alley", performed by The Emotions in 1972. This song had previously been sampled in Big Daddy Kane's "Ain't No Half-Steppin'", which led Mariah to use the sample for Dreamlover. [10] In an interview with Fred Bronson, Carey described working with Hall: