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Francesca appears as a character in Dante's Inferno, the first part of the Divine Comedy, where she is the first soul damned in Hell proper to be given a substantive speaking role. Francesca's testimony and condemnation is the first historical record of her, laying the foundation for her remembrance and legacy. [ 5 ]
Inferno depicts a vision of hell divided into nine concentric circles, each home to souls guilty of a particular class of sin. [2] Led by his guide, the Roman poet Virgil, Dante enters the second circle of hell in Inferno 's Canto V. Before entering the circle proper they encounter Minos, the mythological king of the Minoan civilization.
Paolo and Francesca da Rimini is a watercolour by British artist and poet Dante Gabriel Rossetti, painted in 1855 and now in Tate Britain.The painting is a triptych inspired by Canto V of Dante's Inferno, which describes the adulterous love between Paolo Malatesta and his sister-in-law Francesca da Rimini.
In the first volume, Inferno, of The Divine Comedy, Dante and Virgil meet Francesca and her lover Paolo in the second circle of hell, reserved for the lustful. Da Rimini's father had forced her to marry the lame Giovanni Malatesta for political reasons, but she fell in love with Giovanni's brother Paolo.
Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy. It is followed by Purgatorio and Paradiso . The Inferno describes the journey of a fictionalised version of Dante himself through Hell , guided by the ancient Roman poet Virgil .
In Inferno 27, the pilgrim encounters Guido da Montefeltro, who was placed in this bolgia for providing fraudulent advice that lead in exchange for a promise of salvation from Pope Boniface VIII. [4] He first asks the pilgrim about the current state of affairs in Florence before narrating what led to his downfall and eventual placement in Hell. [4]
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Inferno depicts a vision of hell divided into nine concentric circles, each home to souls guilty of a particular class of sin. [3] Led by his guide, the Roman poet Virgil, Dante enters the first circle of hell in Inferno 's Canto IV. The first circle is Limbo, the resting place of souls who "never sinned" but whose "merit falls far short". [4]