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However, by the late 19th century, reaction against sweet devotional art work was reinforced in England by the critical commentary of John Ruskin. The late 20th century saw a revival of interest in Italian Baroque archaizing painting with Guido Reni leading the way in generating a surge of auction interest also in Sassoferrato.
The Self Portrait of Italian baroque artist Artemisia Gentileschi was painted in the early 1630s. It currently hangs in the Palazzo Barberini, Rome. It is one of many paintings where Gentileschi depicts herself. Beyond self-portraits, her allegorical and religious paintings often featured herself in different guises.
Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between 1638 and 1639.
Musée du Luxembourg (Paris) / Skira Editore (Milano), Exhibition catalogue. 2004, Text French, Paris 2004, ISBN 88-8491-854-5 The book presents 155 artist (fine art) of the 20th century by showing their self-portraits added by informative texts. Calabrese, Omar: Artists' Self-portraits. Abbeville Press, 2006, ISBN 9780789208941; Jeancolas ...
Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
Self-Portrait as Saint Catherine of Alexandria is a 1615–1617 painting by the Italian Baroque artist Artemisia Gentileschi, showing the artist in the guise of Catherine of Alexandria. It is now in the collection of the National Gallery, London , which purchased it in 2018 for £3.6 million, including about £2.7 million from its American ...
The Self-Portrait as a Lute Player was created after Gentileschi was married and moved from Rome to Florence after a fourteen-month rape trial against Agostino Tassi. [9] [6] Self-Portrait as a Lute Player and other self-portraits of Gentileschi were painted for private collections and allowed her to express her wit and cultural knowledge. [6]
Fede Galizia, better known as Galizia, (c. 1578 – c. 1630) was an Italian painter of still-lifes, portraits, and religious pictures. She is especially noted as a painter of still-lifes of fruit, a genre in which she was one of the earliest practitioners in European art.
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