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Directions in Music: Live at Massey Hall (subtitled, Celebrating Miles Davis & John Coltrane) is a live recording by pianist Herbie Hancock, tenor saxophonist Michael Brecker and trumpeter Roy Hargrove. It was recorded on October 25, 2001 in Toronto and was Brecker's eighth and Hancock's forty-fourth album.
Directions in Music is a Canadian music television miniseries which aired on CBC Television in 1961. Premise. This Vancouver production featured five episodes of ...
With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit. ' with calm '); (see also col and colla) con dolcezza See dolce con sordina or con sordine (plural) With a mute, or with mutes. Frequently seen in music as (incorrect Italian) con sordino, or con sordini (plural). concerto
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Directions is a double album that features previously unreleased outtakes recorded over a 10-year period by Davis. Apart from "Song of Our Country" from the recording sessions for Sketches of Spain (1960), a 1961 recording of "'Round Midnight", and "So Near, So Far" from 1963, the album's songs are from Davis' transitional period during 1967 to 1970, when he was experimenting with a fusion of ...
A June 7, 1952, article in the trade publication Billboard described the new group as "a creative band, which will combine dance music as well as mood interpretations." [ 2 ] The group initially had a three-year contract with RCA Victor , with plans "for about 16 sides a year."
Descending: Downwards melodic movement (prevalent in the New World and Australian music). Undulating: Equal movement in both directions, using approximately the same intervals for ascent and descent (prevalent in Old World culture music). Usually concludes with a descending progression.
The conductor can do this by adding a smaller movement in the same direction as the movement for the beat that it belongs to. Changes to the tempo are indicated by changing the speed of the beat. To carry out and to control a rallentando (slowing down the pace of the music), a conductor may introduce beat subdivisions. While some conductors use ...