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A playwright or dramatist is a person who writes plays, which are a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than just reading. Ben Jonson coined the term "playwright" and is the first person in English literature to refer to playwrights as separate from poets.
It is customary to give a cast list, which also has next to each character in a second column the name of the actor or actress playing the part; an alternative version lists the names of the actors who played the parts originally. In order not to give away vital parts of the plot some names may be altered, for example, mixed up with another name.
Depending on culture, the differences between the meaning of "Dramatist" and the meaning of "Playwright" are perceived otherwise. In light of this, please do not use the "Playwrights" and "Dramatists" subcategories of this category anymore, but move articles from either "Dramatists" or "Playwrights" to this category instead.
Richard Cumberland (dramatist) D. Charles Dance (playwright) George Daniel (writer) Sarah Daniels (playwright) Florence Henrietta Darwin; Robert Davenport (dramatist)
A dramaturge or dramaturg (from Ancient Greek δραματουργός dramatourgós) is a literary adviser or editor in a theatre, opera, or film company who researches, selects, adapts, edits, and interprets scripts, libretti, texts, and printed programmes (or helps others with these tasks), consults authors, and does public relations work.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Edmond Eugène Alexis Rostand (UK: / ˈ r ɒ s t ɒ̃ /, [1] US: / r ɔː ˈ s t ɒ̃, ˈ r ɒ s t æ n d /, [2] [3] French: [ɛdmɔ̃ ʁɔstɑ̃]; 1 April 1868 – 2 December 1918) was a French poet and dramatist. He is associated with neo-romanticism and is known best for his 1897 play Cyrano de Bergerac.
Titles of some plays have been attributed to Thespis. But most modern scholars, following the suggestion of Diogenes Laërtius, consider them to be forgeries, some forged by the philosopher Heraclides Ponticus, others produced rather later, in the Common Era: [7] [8]