Search results
Results from the WOW.Com Content Network
D'Angour was born in London [2] and educated at Sussex House School and as a King's Scholar at Eton College.While at Eton he won the Newcastle Scholarship [3] in 1976 (the last year in which the original twelve exams in Classics and Divinity were set), and was awarded a Postmastership (full academic scholarship) to Merton College, Oxford to read classics.
Unlike the Pindaric ode, the Horatian ode is made up of any number of stanzas (usually quatrains) which all follow the same rhyme scheme and metre. In contrast with the very formal panegyric style of many of Pindar's odes, Horatian odes often tackle more intimate subjects, such as love and friendship, and were not written for public performance.
Substantial works like his ode The Passions, the one-act oratorio The Fall of Jericho, and his Six Cantatas demonstrate that Hayes was one of the finest English composers of the eighteenth century. As a writer, his Art of Composing Music includes the first published description of aleatoric composition —music composed by chance—albeit ...
Collins' only other completed poem afterwards was the "Ode written on the death of Mr Thomson" (1749), but his unfinished works suggest that he was moving away from the contrived abstraction of the Odes and seeking inspiration in an idealised time uncorrupted by the modern age. Collins had showed the Wartons an "Ode on the Popular Superstitions ...
According to Devin McKinney, while McCartney's songs can be heard individually as "simple affirmations", in the context of their placement on Revolver, "each song gains" from the reflected depth of the Lennon and Harrison compositions. McKinney writes that "Got to Get You into My Life" "is notable for being as expressive of a simple livid ...
Between Ode VI and Ode VII, a vestigal kontakion is sung with only its prooimion, or initial stanza, and the first oikos or strophe. If an akathist is to be chanted in conjunction with a canon, it is inserted after Ode VI. The typical order for a full canon, as currently, in most places, chanted at matins is as follows: Ode I; Ode III; Little ...
Alexander's Feast (HWV 75) is an ode with music by George Frideric Handel set to a libretto by Newburgh Hamilton. Hamilton adapted his libretto from John Dryden's ode Alexander's Feast, or the Power of Music (1697) which had been written to celebrate Saint Cecilia's Day. Jeremiah Clarke (whose score is now lost) set the original ode to music.
But it was the Greek ode-writers who introduced the practice of strophe-writing on a large scale, and the art was attributed to Stesichorus, although it is likely that earlier poets were acquainted with it. The arrangement of an ode in a splendid and consistent artifice of strophe, antistrophe and epode was carried to its height by Pindar.