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1 Mythologies by region. Toggle Mythologies by region subsection. 1.1 Africa. ... List of world folk-epics; Lists of deities; Lists of legendary creatures; National myth;
A creation myth (or cosmogonic myth) is a symbolic narrative of how the world began and how people first came to inhabit it. While in popular usage the term myth often refers to false or fanciful stories, members of cultures often ascribe varying degrees of truth to their creation myths.
The Historical Atlas of World Mythology is a multi-volume series of books by Joseph Campbell that traces developments in humankind's mythological symbols and stories from pre-history forward. Campbell is perhaps best known as a comparativist who focused on universal themes and motifs in human culture.
The Oxford Companion to World Mythology provides the following summary and examples: [7] [8] Religious stories are "holy scripture" to believers—narratives used to support, explain, or justify a particular system's rituals, theology, and ethics—and are myths to people of other cultures or belief systems.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
A well associated with the being Mímir, located beneath the world tree Yggdrasil. Muspelheim: Land of fire in Norse mythology. Niflheim: World of cold in Norse mythology. Niflhel: Cold underworld in Norse mythology. Norumbega: A legendary settlement in northeastern North America, connected with attempts to demonstrate Viking incursions in New ...
[1] [2] By 1987, there were more than 100 editions of Bulfinch's Mythology in the National Union Catalog, [3] and in a survey of amazon.com in November 2014 there were 229 print editions and 19 e‑books. [4] Talbot opined that, of the many available, Richard P. Martin's 1991 edition is "by far the most useful and extensive critical treatment". [5]
Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...