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Memento mori (Latin for "remember (that you have) to die") [2] is an artistic or symbolic trope acting as a reminder of the inevitability of death. [2] The concept has its roots in the philosophers of classical antiquity and Christianity , and appeared in funerary art and architecture from the medieval period onwards.
Nevertheless, the skull seems to be omnipresent in the first decade of the twenty-first century, appearing on jewelry, bags, clothing and in the shape of various decorative items. However, the increasing use of the skull as a visual symbol in popular culture reduces its original meaning as well as its traditional connotation. [2] [3]
A skull and crossbones is a symbol consisting of a human skull and two long bones crossed together under or behind the skull. [1] The design originated in the Late Middle Ages as a symbol of death and especially as a memento mori on tombstones. Actual skulls and bones were long used to mark the entrances to Spanish cemeteries (campo santo).
Vanitas by Antonio de Pereda. Vanitas (Latin for 'vanity', in this context meaning pointlessness, or futility, not to be confused with the other definition of vanity) is a genre of memento mori symbolizing the transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires.
Less blunt symbols of death frequently allude to the passage of time and the fragility of life, and can be described as memento mori; [5] that is, an artistic or symbolic reminder of the inevitability of death. Clocks, hourglasses, sundials, and other timepieces both call to mind that time is passing. [3]
memento mori: remember that [you will] die: remember your mortality; medieval Latin based on "memento moriendum esse" in antiquity. [5] memento vivere: remember to live: meminerunt omnia amantes: lovers remember all: memores acti prudentes futuri: mindful of things done, aware of things to come: Thus, both remembering the past and foreseeing ...
The term "ordo amoris," first coined by ancient bishop and theologian St. Augustine in his work, "City of God," has been translated to mean "order of love" or "order of charity."
Death and the Miser belongs to the tradition of memento mori, a term that describes works of art that remind the viewer of the inevitability of death.The painting shows the influence of popular 15th-century handbooks (including text and woodcuts) on the "Art of Dying Well" (Ars moriendi), intended to help Christians choose Christ over earthly and sinful pleasures.