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Alto, Isla Vista, 1967–1969 [9]; Berkeley Barb, Berkeley, 1965–1980; Berkeley Tribe, Berkeley, 1969–1972 (split from the Berkeley Barb after staff went on strike); The Black Panther, Oakland
An example of the cross-over of beat poetry and music can be seen when Burroughs appeared at the Phun City festival, organised in 24–26 July 1970 by Mick Farren with underground community bands including The Pretty Things, Kevin Ayers, Edgar Broughton Band, Pink Fairies, Shagrat, and, from the United States, the MC5.
A sign of this was the visibility that the hippie subculture gained in various mainstream and underground media. Hippie exploitation films are 1960s exploitation films about the hippie counterculture [ 179 ] with stereotypical situations associated with the movement such as marijuana and LSD use, sex and wild psychedelic parties.
The symbol now known internationally as the "peace symbol" or "peace sign", was created in 1958 as a symbol for Britain's campaign for nuclear disarmament. [53] It went on to be widely adopted in the American anti-war movement in the 1960s and was re-interpreted as generically representing world peace .
The Human Be-In took its name from a chance remark by the artist Michael Bowen made at the Love Pageant Rally. [6] The playful name combined humanist values with the scores of sit-ins that had been reforming college and university practices and eroding the vestiges of entrenched segregation, starting with the lunch counter sit-ins of 1960 in Greensboro, North Carolina, and Nashville, Tennessee.
In 1970, Hunter S. Thompson campaigned to become Sherriff of Aspen, Colorado as part of the "Freak Power" movement, and used this symbol to represent Freaks The freak scene was originally a component of the bohemian subculture which began in California in the mid-1960s, associated with (or part of) the hippie movement.
Flower child originated as a synonym for Hippie, especially among the idealistic young people who gathered in San Francisco and the surrounding area during the Summer of Love in 1967. It was the custom of "flower children" to wear and distribute flowers or floral-themed decorations to symbolize ideals of universal belonging, peace, and love ...
[60] [61] [62] Hippies were also vilified and sometimes attacked by punks, [63] revivalist mods, greasers, football casuals, Teddy Boys and members of other American and European youth cultures in the 1970s and 1980s. Hippie ideals were a marked influence on anarcho-punk and some post-punk youth cultures, such as the Second Summer of Love.